![]() ![]() In very low light conditions (heavy tree cover, after sunset) I found 30 fps to result in a bit better stabilization. I change between 24 fps and 30 fps depending on the situation. Same with high sharpness settings, more on that later. It’s unnatural and quite jarring to watch. Sure, 60 fps would result in a more crisp image, where you can see every single pebble on the trail, but that’s not how it really looks in real life. Bonus points for the motion blur effect making you seem to ride faster instantly. Low framerates are what produce the natural motion blur, similar to what you would see through your own eyes.įramerates of 24 or 30 are a big part of what makes video footage cinematic and easy on the eyes. ![]() On a really cloudy day, 6000K may be okay too to avoid a blue hue. However, GoPros tend to create a warmer picture, so I prefer 5000K for normal daylight.Įasy as that. And sunlight has a color temperature of around 5500 Kelvin. This is the reason why auto settings will always look amateurish. Riding through amazing brown dirt? Expect it to look bland and boring with auto WB.Īnd it will do that in real-time, resulting in weird-looking color fluctuations that can’t be saved by editing. A screen full of lush green grass? Auto WB will reduce green colors. When left on auto, the camera will constantly color correct by itself (a big reason to worry), while not knowing what it sees. DO NOT LEAVE THIS ON AUTO! If you only take one piece of advice away from this article, this should be it. Let’s move this one to the top of the list because it has the biggest impact on your footage. The WB setting is buried in the settings menu, but it’s arguably the most important one to get right! For special shoots, use these other settings for winter sports filming, recommended underwater settings or low-light settings for night shoots.Ī video showcasing all of the Pro Controls (ProTune settings) of the GoPro Hero 11. These will work in most outdoor riding conditions, even in difficult, changing lighting conditions like under tree cover and direct sunlight as well as overcast weather. Chest mount: Shutter 1/240 and ISO max 1600.Settings for ND Filters that keep stabilization intact: Wind (noise reduction): Off + wind muffler (On = Mono).Color: Flat (or Natural for no editing).Sharpness: Low or Medium (personal preference).Lens (Field of View): Superview (chest mount) or HyperView (helmet mount).Resolution: 4K or 5.3K (depending on FOV). ![]() Framerate: 30 or 24 FPS (personal preference).There are far more video settings than the easy mode shows. The step-by-step settings I provide are basically set and forget for 90% of conditions you’ll find yourself in outdoors.Īfter riding and recording dozens of clips in various weather and lighting conditions, testing video settings, mounts and accessories with the GoPro Hero 11 I found the baseline settings that I can get the best mountain bike videos out of my GoPro action cam. And after reading this article, you’ll be above and beyond that level!ĭon’t worry, we’ll still keep it simple here. The stock settings are designed so that any inexperienced user can simply press record and film without knowing anything about videography. The problem is the automatic video setting.Īnd that’s the case for even the best action cameras out right now. But when you go out with your new action cam and you play back your footage, it looks nothing like the promo videos. When filming with an action camera like the GoPro Hero 11, the expectation is footage that looks cinematic, intense, and true to life. ![]()
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